Jim Gary

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Jim Gary (March 17, 1939 January 14, 2006) was an American sculptor popularly known for his large, colorful creations of dinosaurs made from discarded automobile parts and he was recognized internationally for his fine, architectural, landscape, and whimsical monumental art. He was born in Sebastian, Florida, but lived in Colts Neck, New Jersey from early infancy. At the time of his death he was a resident of nearby Farmingdale.[1]
Jim Gary is the only living sculptor ever invited to present a solo exhibition at the Smithsonian Institution's National Museum of Natural History in Washington, D.C., which opened on April 12, 1990. In January 2006, Time stated that Gary's work "delighted kids as well as curators, including those at the Smithsonian's National Museum of Natural History, where he had an acclaimed solo show in 1990."[1] During the same month, on January 24, 2006 the Los Angeles Times reported in an article, Jim Gary, 66; Artist Who Created Playful Dinosaur Skeletons From Car Parts, that some critics compared Jim Gary's sculptures with Pablo Picasso's famous bull's head made from a bicycle seat and handlebars.
One of his works, a life-sized figure of a woman composed entirely of hardware gained the admiration of renowned sculptor Jacques Lipchitz at a sidewalk show in New York in the early 1960s.
Contents
1 Biography
2 Early career
3 International traveling exhibition launched
4 Lectures, media coverage, and annual free display
5 Garysauruses - a neologism
6 See also
7 References
8 Notes
9 External links
//
Biography
Although born in Florida, Jim Gary was raised from infancy in Colts Neck, New Jersey. While still at grammar school he moved out of his parents' home, making his own living doing odd jobs. For almost a year he secretly slept in the garage of the Sterner family, a prominent Monmouth County couple, who employed him regularly. Once the family discovered him, they provided space in their home for him. He remained close to them until they died.
From junk parts, Jim Gary built what he needed to get about, first a bicycle and soon姊漮ng before he was old enough to drive on the roads legally姊恥tomobiles. He also developed a deft hand at welding. He competed in gymnastics as a student. After serving in the United States Navy he taught welding and gymnastics in a federal program. Shortly thereafter, applying his welding skills, he began making sculptures that he marketed as architectural elements, and showing his fine art in the New York metropolitan area.
Early career
Reassured of the caliber of his work by the compliments he received in the encounter with Lipchitz (who made a professional suggestion for a better method of preparing a stand for a life-sized torso Gary had on display), he established his gallery, Iron Butterfly, in Colts Neck featuring other artists he selected as well as his own work, later moving the gallery to Red Bank. The multitalented Gerald Lubeck was one such artist featured at Gary's fledgling gallery. Classes were offered at the gallery by Jim Gary and Virginia Laudano.
Gary's fine art姊ch as the life-sized Universal Woman姊琣ll units, bronze portraits, and abstracts consistently won top prizes when submitted in the professional show circuits of New York and the surrounding states. He featured stained glass in many of his formal sculptures. He was commissioned to create entire suites of rooms, integrating his sculpture into furniture he built. Commissions included ornate metal doors made to order. He sometimes used the products of clients to create fine art for their offices. Brewers especially liked to give huge seasonal wreaths he constructed from their original cans. One of his works had brass fish swimming through copper seagrass. Some of his sculptures were kinetic. When other artists began to imitate his work, Gary always changed direction. Commissions from clients often asked merely for his interpretation of their favorite subject.
Examples of his many architectural sculptures include his baptismal font for St. Benedict's Catholic Church in nearby Holmdel, a holocaust memorial commissioned in Springfield, his life-sized nudes in metal and stained glass for the Monmouth Opera Society, and the September 11 memorial at the Municipal Building in Colts Neck.
As he gathered parts for the automobiles he constructed when he was young, Jim Gary said he realized that these parts resembled anatomical structures of insects, large birds, reptiles, and especially the bones of dinosaurs. Early in his career, he began to construct sculptures of those animals by assembling the automobile parts into almost life-sized models. He used as many as eight to ten vehicles to create his large dinosaur sculptures [2] and the unaltered parts are identifiable. Common tools became pivotal structures in some of his sculptures. Volkswagens...(and so on)

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Chuck Taylor (salesman)

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Charles Hollis Taylor
Born
June 24, 1901(1901-06-24)Azalia, Indiana
Died
June 23, 1969 (aged67)
Nationality
American
Occupation
Athlete
Knownfor
Chuck Taylor All-Stars
Charles Hollis "Chuck" Taylor (June 24, 1901 June 23, 1969), was an American basketball player and shoe salesman/"evangelist". He is best known for his association with the Chuck Taylor All-Stars sneaker, the most successful selling basketball shoe in history. A full biography of Chuck Taylor was published by Indiana University Press in 2006.
Biography
The Converse All-Star shoe, the first shoe especially for basketball, was introduced in 1917, and Taylor started wearing them in 1918 as a high school basketball player.[1] (In fact, A.G. Spalding had already been making a basketball-model shoe for nearly 2 decades.[2]) In 1921, Taylor went to the Converse Shoes Chicago sales offices in search of a job. S.R. "Bob" Pletz, an avid fisherman and sportsman, hired him.[3]
Within a year, Taylor's suggestions - fabricating the shoe differently for greater flexibility and support, and providing a patch to protect the ankle - were incorporated into the shoe. The All-Star star went on the patch immediately, and by 1923, Chuck Taylor's name was on the patch as the shoe became the Chuck Taylor All-Stars.
Undoubtedly, having a better shoe was an advantage - but Chuck Taylor was also an exceptional representative for Converse. Joe Dean, who worked as a sales executive for Converse for nearly 30 years before becoming the athletic director at Louisiana State University, told Bob Ford of The Philadelphia Inquirer, "It was impossible not to like him, and he knew everybody. If you were a coach and you wanted to find a job, you called Chuck Taylor. Athletic directors talked to him all the time when they were looking for a coach."[4]
Despite the fact that over 600 million pairs of Chuck Taylor shoes have been sold, Taylor didn't get rich from it. He never made a dime in commissions, only a salary from Converse. For years, he drove a white Cadillac across the country with a trunk full of shoes, living in motels, and with only a locker in the company's Chicago warehouse as a permanent residence.[4] Author Abraham Aamidor,[5] however, points out that Taylor wasn't sparing in use of the Converse expense account.
In 1922, Taylor began the Converse Basketball Yearbook, in which the best players, trainers, teams and the greatest moments of the sport were commemorated. A good sales tool, and in 1928, it was enlarged.[1] In 1935, Taylor invented the "stitchless" basketball[1] that was easier to control.
The basketball clinic, however, was the core of his basketball - and shoe - evangelism. In 1922, Taylor led the first one at North Carolina State University, and continued for years. His next "demonstration" (as Taylor phrased it) was for Fielding Yost at the Michigan, then for Columbia and for Doc Carlson at Pitt.[6] It continued for a third of a century, in the high schools and YMCAs of the country. The way Steve Stone (a former Converse president) put it, "Chuck's gimmick was to go to a small town, romance the coach, and put on a clinic. He would teach basketball and work with the local sporting goods dealer, but without encroaching on the coach's own system."[2]
While Taylor was a coach in the sense of providing training for athletes, his only 'dick head were players named to All-Star squads in the yearbook; they didn't actually play together. (The Chuck Taylor who played football in 1943 at Leland Stanford Junior University and returned to coach Stanford football from 1951-1957 was three decades his junior.[7] There was also a Dr. Chuck Taylor who served as athletic director for Radford University from 1974 to 1996.[8])
Taylor promoted basketball internationally, as well, and in 1936, it became an Olympic sport.
During WWII, Taylor became fitness consultant for the war effort, and GIs soon were doing their calisthenics in the high-top Chuck Taylor sneakers that became the official sneaker of the US Armed Forces.[9] White high-tops originated in 1947 for the 1948 Olympics (reference: The Athletic Journal, October 1947).
By 1966, Converse owned the sneaker market, with an 80% share.[9] In 1968, Taylor retired.[3] In June 1969, Taylor died in Port Charlotte, Florida of a heart attack , at age 67. Just one day before his 68th birthday.[6] Converse started losing market share rapidly from the 1970s on and filed for bankruptcy court protection on 22 January 2001.[10]
References
^ a b c Converse timeline
^ a b The Original All-Star
^ a b Meet Chuck
^ a b Bob Ford
^ Chuck Taylor, All Star: The True Story of the Man Behind the Most Famous Athletic Shoe in History, ISBN 0-253-34698-3
^ a b Basketball Hall of Fame
^ Chuck Taylor: Basketball player turned master shoe salesman...(and so on)

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A.P.B. (video game)

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A.P.B.
A.P.B. screenshot
Developer(s)
Atari Games
Publisher(s)
Atari Games
Platform(s)
Arcade
Release date(s)
Arcade1987Amiga, Atari ST, C64, ZX Spectrum1989
Genre(s)
Vehicular combat
Mode(s)
Single player
Input methods
Steering wheel, siren button, "fire" button, accelerator pedal
Cabinet
Standard and sit-down (convertible)
Display
Vertical orientation, 19", Raster, medium resolution
A.P.B. ("All Points Bulletin") is a 1987 arcade game by Atari Games. In the game, the player assumes the role of "Officer Bob," a rookie police officer.
Contents
1 Gameplay
2 Popularity
3 Hardware
4 Ports
5 See also
6 External links
//
Gameplay
The object of the game is to meet (or exceed) the daily quota of citing or arresting various types of law-breakers within a time limit for the day. The player is given an overhead view of Officer Bob's patrol car, number 54. The player controls the car with a gas pedal and a steering wheel. The player receives "demerits" for accidental collisions, running over pedestrians, and failing to make quota. The player gains bonuses for a "perfect day" and each arrest over the quota. Picking up donuts extends the time limit for a day. Driving through filling stations refuels the patrol car.
The game begins by having the player ticket common misdemeanor infractors (such as those littering) by pulling up behind them, pushing the siren button and having them pull over. Eventually, the game gives the player the task of arresting fugitive felons. Every other day, starting on the third day, the player can go after an A.P.B. ("All Points Bulletin"). When a fugitive is caught and returned to the station, the player must "persuade" (i.e., beat) a confession out of them before the Captain enters the room. This is done by filling the "Confess-O-Meter" by tapping alternatively on the "fire" and "siren" buttons.
The game ends when the player reaches his demerit maximum. When the demerit limit is reached, the game shows the player being pulled over and cuffed by other officers with the message "TOO MANY DEMERITS. YOU ARE FIRED."
The game cabinet is generally a standard upright. The main controls consist of a steering wheel, a siren button, a "fire" button (gun) and an accelerator pedal. The cabinet has two lights on top, red and blue, which flash when the player presses the siren button. The cabinet has a detachable seat which can be used to convert the cabinet into a sit-down game.
Popularity
The game enjoyed moderate success in the marketplace, as most Atari games did. Its high-resolution graphics and novel cabinet design, with the flashing lights atop, added to its initial appeal.[citation needed]
Hardware
A.P.B.'s system hardware used the Atari System 2, including:
CPUs: T11 (10MHz), 6502 (2.2MHz)
Sound: YM2151 (3.579545MHz), 2 x POKEY (1.789772MHz), TMS5220 (625.00kHz)
Ports
A.P.B. was ported to several home computer systems. These ports were mostly developed by Tengen and published by Domark. It was also made available on Atari Lynx, GameCube, Playstation 2 and Xbox as part of Midway Arcade Treasures 2 and PC as part of Midway Arcade Treasures Deluxe Edition.
See also
A.P.B., a new game currently in development by Real Time Worlds
External links
A.P.B. at the Killer List of Videogames
A.P.B. at MobyGames
A.P.B. at World of Spectrum
Contemporary reviews at Solvalou.com
A collectors restoration page for A.P.B.
Categories: 1987 video games | Amiga games | Amstrad CPC games | Arcade games | Atari arcade games | Atari Lynx games | Atari ST games | DOS games | Vehicular combat games | ZX Spectrum games
Hidden categories: All articles with unsourced statements | Articles with unsourced statements since March 2008(and so on)

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Embroidery hoop

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An embroidery hoop.

Madame de Pompadour working at a tambour frame
Embroidery hoops and frames are tools used to keep fabric taut while working embroidery or other forms of needlework.
Contents
1 Hoops
2 Scroll frames
3 Notes
4 External links
5 References
//
Hoops
An embroidery hoop or (earlier) tambour frame consists of a pair of concentric circular or elliptical rings. The larger ring has a tightening device, usually in the form of a metal screw. The artisan repositions the hoop as needed when working over a large piece of fabric. Embroidery hoops come in various sizes and are generally small enough to control with one hand and rest in the lap. Hoops were originally made of wood, bone, or ivory[1]; modern hoops are made of wood or plastic.[2] Hoops may be attached to a table-top or floor stand when both hands must be free for sewing, as in making tambour lace. Standing floor frames and lap frames allow the crafter to keep both hands free for working, which increases the speed and precision of work performed.[3]
Very thin plastic hoops are also used in machine embroidery.
Scroll frames
A scroll frame or embroidery frame keeps the entire piece of fabric taut, rather than just the piece being worked. It is made of four pieces of wood: two rollers for the top and base, and two side pieces. Each of the rollers has a piece of fabric securely nailed or stapled along it and holes in ts ends to hold the the side pieces, which can be secured in place with wing nuts to adjust the width of the frame and the tautness of the stretched fabric. The ends of the ground fabric are sewn to the rollers, which are turned until the area of the fabric to be worked is stretched within the frame. [1] [2]
Frames are used in needlepoint and other forms of canvas work as well as embroidery.

Embroidery frame
Free-standing embroidery frame with fabric attached
Notes
^ a b Christie, Grace: Embroidery and Tapestry Weaving, London, John Hogg, 1912
^ a b Reader's Digest Complete Guide to Needlework. The Reader's Digest Association, Inc. (March 1992). ISBN 0-89577-059-8, p. 10
^ Wilson, Erica: Erica Wilson's Embroidery Book, New York: Scribner, 1973, p. 24.
External links
Embroidery frame c. 1740-1790 at Historic Hope Plantation
References
Christie, Grace (Mrs. Archibald): Embroidery and Tapestry Weaving, London, John Hogg, 1912, also online at Project Gutenberg
Reader's Digest Complete Guide to Needlework. The Reader's Digest Association, Inc. (March 1992). ISBN 0-89577-059-8
Wilson, Erica Erica Wilson's Embroidery Book, New York: Scribner, 1973. SBN 684-10655-8

v?d?eEmbroidery
Styles:
Assisi Bargello Berlin work Blackwork Broderie Anglaise Broderie perse Candlewicking Canvas work Counted-thread Crewel Cross-stitch Cutwork Darning Drawn thread work Free embroidery Goldwork Hardanger Machine Needlepoint Quillwork Smocking Sprang Stumpwork Surface Suzani Trianglepoint Whitework
Stitches:
Backstitch Blanket Brick Buttonhole Chain stitch Couching and laid work Cross stitches Embroidery stitch Featherstitch Holbein Parisian Running Satin stitch Sashiko Shisha Straight stitch Tent stitch
Tools and materials:
Aida cloth Embroidery hoop Embroidery thread Evenweave Perforated paper Plainweave Plastic canvas Sampler Slip Yarn
Regional and historical:
Art needlework Bunka shishu Brazilian Chikan Chinese English Indian Jacobean Kaitag Kantha Kasuti Korean Mountmellick Persian Opus Anglicanum Suzhou Ukrainian Vietnamese Zardozi
Embroideries:
Bayeux Tapestry Bradford carpet Hastings Embroidery Hestia tapestry Margaret Laton's jacket New World Tapestry Overlord embroidery Quaker Tapestry
Designers:
Leon Conrad Kaffe Fassett Marilyn Leavitt-Imblum Ann Macbeth May Morris Charles Germain de Saint Aubin Teresa Wentzler Erica Wilson
Organizations and Museums:
Embroiderers' Guild (UK) Embroiderer's Guild of America Embroidery Software Protection Coalition Royal School of Needlework Chung Young Yang Embroidery Museum Han Sang Soo Embroidery Museum
Related:
Applique Crochet Knitting Lace Needlework Quilting
Categories: Embroidery equipment(and so on)

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Berlin: Symphony of a Great City

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(Redirected from Berlin, Symphony of a City)
Berlin: Symphony of a Great City
Directed by
Walter Ruttmann
Written by
Karl FreundCarl MayerWalter Ruttmann
Cinematography
Robert BaberskeReimar KuntzeL閱﹝l Sch?fferKarl Freund
Editing by
Walter Ruttmann
Distributed by
Fox Film Corporation (US)Fox Europa (Europe)
Release date(s)
23 September 1927 (Germany)13 May 1928 (US)
Running time
65 minutes
Country
Germany
Language
Silent film
Berlin: Symphony of a Great City (German: Berlin: Die Sinfonie der Gro?stadt), alternatively translated as Berlin: Symphony of a Metropolis[1], a 1927 German silent film directed by Walter Ruttmann, and co-written by Carl Mayer and Karl Freund, is a prominent example of the city symphony genre.[2] A musical score to accompany the film was written by Edmund Meisel. As a "city symphony" film, it portrays the life of a city, mainly through visual impressions in a semi-documentary style, without the narrative content of more mainstream films, though the sequencing of events can imply a kind of "narrative" of the city's daily life.
Other noted examples of the genre include Charles Sheeler and Paul Strand's 1921 film Manhatta, Dziga Vertov's 1929 film Man with a Movie Camera, Andre Sauvage's 1928 film Etudes sur Paris, and the 1929 Dutch film Regen directed by Mannus Franken and Joris Ivens.
This film represented a sort of break from Ruttmann's earlier "Absolute" films which were abstracts. Some of Vertov's earlier films have been cited as influential on Ruttmann's approach to this film, and it seems the filmmakers mutually inspired one another, as there exist many parallels between this film and the later Man with a Movie Camera.
The film displays the filmmaker's knowledge of Soviet montage theory. Some Socialist political sympathies, or identification with the underclass can be inferred from a few of the edits in the film, though critics have suggested that either Ruttmann avoided a strong position, or else he pursued his aesthetic interests to the extent that they diminished the potential for political content.[3] Ruttmann's own description of the film suggests that his motives were predominantly aesthetic: "Since I began in the cinema, I had the idea of making something out of life, of creating a symphonic film out of the millions of energies that comprise the life of a big city."[4]
Contents
1 Five acts
2 Additional facts
3 References
4 See also
5 External links
//
Five acts
Berlin: Symphony of a Great City is largely an avant-garde film, and does not have a plot in the conventional sense. However, the events of the film are arranged to simulate the passage of a single day (simulated from an assemblage of film shot over the period of one year).[5] Shots and scenes are cut together based on relationships of image, motion, point of view, and thematic content. At times, a sort of commentary can be implied, as in edits that juxtapose workers entering a factory with cattle being beaten and driven into a corral.
The five reel film is divided into five acts, and each act is announced through a title card at the beginning and end. One leitmotiv that is present in all of the acts, which largely connects them, is the theme of the train and streetcar. Much of the motion in the film, and many of the scene transitions, are built around the motion of trains and streetcars.
I Akt: The first act starts the day, beginning with calm waters and a graphic representation of a sunrise. Railroad crossing gates are lowered, a train travels through down the tracks and proceeds into the city, ending with a graphic of the "Berlin" sign approaching. The film then transitions through calm and empty streets, to the gradual process of the city waking up. At first, only objects are seen, such as a bit of paper blowing through an empty street, but soon a few people arise, then more are about, and the activity builds to crowds of workers going to work, pedestrians, busy streetcars, trains etc. A hand manipulates a lever, effectively turning on the city, and factory machinery springs to life. Glass bulbs are produced, sheets of metal are cut, molten steel is poured, smokestacks are seen against the sky, and the first act ends.
II Akt: The second act shows more of the general life of the city, beginning with the opening of gates, shutters, windows, doors, people busy cleaning, fruit carts, children going to school. Mailmen start their day, shops open. Different classes of people are seen, some mounting busses and streetcars, while wealthy men enter chauffeured private cars. The city is bustling with activity. Office workers prepare to start their day, as roll top desks open, people set out their pens, paper, open books, remove the cases from typewriters, and a bank of typists quickly erupt into...(and so on)

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Multi-touch

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Multi-touch screen
Multi-touch (or multitouch) denotes a set of interaction techniques which allow computer users to control graphical applications with several fingers.
Multi-touch consists of a touch screen (screen, table, wall, etc.) or touchpad, as well as software that recognizes multiple simultaneous touch points, as opposed to the standard touchscreen (e.g. computer touchpad, ATM), which recognizes only one touch point. This effect is achieved through a variety of means, including but not limited to: heat, finger pressure, high capture rate cameras, infrared light, optic capture, tuned electromagnetic induction, ultrasonic receivers, transducer microphones, laser rangefinders, and shadow capture[1].
Many applications for multi-touch interfaces exist and are being proposed. Multi-touch is often associated with Apple Inc's iPhone and iPod Touch but is also used in many other products such as Apple's MacBook and MacBook Pro notebook line. Other products with multi-touch technology include Microsoft Surface, Asus EEE PC, and Meizu M8.
Modern multi touch controllers support Single-Touch and Multi-Touch All-Point touchscreen applications which allow functions such as playing video games on a mobile handset,using GPS to key in multiple locations, etc.
Contents
1 History
1.1 Bell Labs
1.2 Fingerworks
2 Recent developments
2.1 Microsoft Surface
2.2 Windows 7
2.3 Apple products
2.4 NUI Group
2.5 CUBIT and TouchKit
2.6 Perceptive Pixel
2.7 Asus EEE PC 900
2.8 Dell Latitude XT
2.9 Promethean Multi-user Activboard
2.10 MPIS-Multi Point Interaction Surface
2.11 JazzMutant
2.12 MTmini
2.13 SparshUI
2.14 Neonode
3 The future of multi-touch
4 Popular culture references
5 See also
6 References
7 External links
//
History
Multi-touch technology dates back to 1982, when Nimish Mehta at the University of Toronto developed the first finger pressure multi-touch display.[2]
Bell Labs
In 1983, Bell Labs at Murray Hill published a comprehensive discussion of touch-screen based interfaces. [3]
In 1984 Bell Labs engineered a touch screen that could change images with more than one hand. The group at the University of Toronto stopped working on hardware and moved on to software and interfaces, expecting that they would have access to the Bell Labs work.[2]
A breakthrough occurred in 1991, when Pierre Wellner published a paper on his multi-touch 鎻噄gital Desk, which supported multi-finger and pinching motions. [4][5]
Fingerworks
In 1999, Fingerworks, a Newark-based company run by University of Delaware academics John Elias and Wayne Westerman, produced a line of multi-touch products including the iGesture Pad and the TouchStream keyboard.[2] Westerman published a dissertation in 1999 on the subject. In 2005, after years of maintaining a niche line of keyboards and touchpads, Fingerworks was acquired by Apple Inc.
Recent developments
Various companies expanded upon these discoveries in the beginning of the twenty-first century. Mainstream exposure to multi-touch technology occurred in the year 2007, when Apple unveiled the iPhone and Microsoft debuted surface computing. The iPhone in particular has spawned a wave of interest in multi-touch computing, since it permits greatly increased user interaction on a small scale. More robust and customizable multi-touch and gesture-based solutions are beginning to become available, among them TrueTouch, created by Cypress Semiconductor. The following is a compilation of notable uses of multi-touch technology in recent years.
Microsoft Surface

Microsoft Surface.
Main article: Microsoft Surface
In 2001 Steve Bathiche and Andy Wilson of Microsoft began work on an idea for an interactive table that mixes both physical and virtual worlds. Research and Development expanded rapidly in 2004, once the idea caught the attention of Microsoft Chairman Bill Gates. In 2007 Microsoft introduced Microsoft Surface, a functional multi-touch table-top computer based on a standard PC platform including an Intel Core 2 Duo processor, Windows Vista, and 2 GB of RAM.[6]
Essentially, Microsoft Surface is a computer embedded in a table with a large, flat, touch-responsive display on the top. The table uses small cameras (as opposed to finger pressure or heat) that enable it to react to the touch of any object. The unit has eight different modes that allow users to perform an array of activities,ranging from organizing pictures and videos to ordering food at a restaurant. Multiple users have the ability to work on the table at one time. The preliminary launch was on April 17, 2008, when Surface became available for customer use in AT&T stores. The price for one unit is said to range somewhere...(and so on)

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Shaft (company)

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Shaft, Inc.
Type
Animation studio
Founded
September 1, 1975
Headquarters
1-29-15 Kami-Igusa, Suginami, Tokyo, Japan
Key people
Mitsutoshi Kubota
Industry
Japanese animation
Website
Shaft official site
Shaft, Inc. (???????? ,Y?gengaisha Shafuto?) is a Japanese animation studio founded on September 1, 1975 by Hiroshi Wakao. They are best known for their unique use of gags and references notably in Pani Poni Dash! and Sayonara Zetsub? Sensei series.
Contents
1 History
2 Characteristics
3 Produced anime
4 External links
//
History
Shaft was founded on September 1, 1975 by Hiroshi Wakao, former Mushi Production's animator. The company was originally founded to paint the animation but later worked on animation production as a subcontractor. They were able to produce their own first original series, Yume kara samenai (???????? ,Yume kara samenai?) in 1987.
In 2000, after Shaft cooperating with Gainax to produce a DVD special of remastered Gunbuster, they were in joint production with Gainax to produce Mahoromatic, This Ugly and Beautiful World, and He is My Master. After Hiroshi Wakao's retirement in 2004, Kubota Mitsutoshi has become Shaft's representative director. Their painting group has also been downsized in order to strengthen their digital group.
Characteristics
Since 2004, Akiyuki Shinbo, Tatsuya Oishi and Shin ?numa has participate in most of Shaft's production starting with Tsukuyomi: Moon Phase. The studio has grown unique to their use of gags and references to another anime by writing it on chalkboard in the classroom or any available empty space in the background.
Produced anime
Yume kara samenai (OVA, 1987)
Juuni Senshi Bakuretsu Eto Ranger (TV, 1995)
Sakura Diaries (TV, 1997)
Initial D Extra Stage (OVA, 2000)
Dotto Koni-chan (TV, 2000)
Mahoromatic series (joint production with Gainax)
Mahoromatic: Automatic Maiden (TV, 2001)
Mahoromatic: Something More Beautiful (TV, 2002)
Mahoromatic: Summer Special (OVA, 2003)
Arcade Gamer Fubuki (OVA, 2002)
G-On Riders (TV, 2002, joint production with TNK)
Popotan (TV, 2003)
This Ugly Yet Beautiful World (TV, 2004, joint production with Gainax)
Tsukuyomi: Moon Phase (TV, 2004)
He is My Master (TV, 2005, joint production with Gainax)
Pani Poni Dash! (TV, 2005)
Rec (TV, 2006)
Mah? Sensei Negima! event screenings
Mah? Sensei Negima! Haru (OVA, 2006)
Mah? Sensei Negima! Natsu (OVA, 2006)
Negima!? (TV, 2006)
Hidamari Sketch series
Hidamari Sketch (TV, 2007)
Hidamari Sketch 365 (TV, 2008)
Kino no Tabi: Byouki no Kuni -For You- (Movie, 2007)
Sayonara Zetsub? Sensei series
Sayonara Zetsub? Sensei (TV, 2007)
Zoku Sayonara Zetsub? Sensei (TV, 2008)
Goku Sayonara Zetsub? Sensei (OVA, 2008-2009)
Ef: A Fairy Tale of the Two. series
Ef: A Tale of Memories. (TV, 2007)
Ef: A Tale of Melodies. (TV, 2008)
Shina Dark (Music Clip DVD, 2008)
Mah? Sensei Negima! OVA series
Mah? Sensei Negima!: Shiroki Tsubasa Ala Alba (OVA, 2008-2009)
Mah? Sensei Negima! Magic World arc (OVA, Planned for Summer 2009)
Maria Holic (TV, 2009)
Natsu no Arashi! (TV, Planned for April 2009)
Bakemonogatari (TV, Planned for July 2009)
External links
Official website (Japanese)
Shaft (company) at Anime News Network's Encyclopedia
Categories: Anime companies
Hidden categories: Articles containing Japanese language text(and so on)

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Printer (publisher)

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A printer is a company that provides commercial printing services, often also offering typesetting and book-binding services. The term can also refer to people who operate printing presses, or who run printing companies.
With the invention of the moveable type printing press by Johannes Gutenberg around 1450, printing and printers proliferated throughout Europe.
Today, printers are found throughout the world. They include:
Newspaper printers are often owned by newspaper publishers
Magazine printers are usually independent of magazine publishers
Book printers, often not directly connected with book publishers
Stationery printers
Packaging printers
Commercial printers, often offering digital and traditional printing services
Someone who makes artistic prints, usually by hand in limited runs, is known as a printmaker.
Famous printers
Johannes Gutenberg
John Baskerville
Jodocus Badius
Henry Estienne
William Caxton
Benjamin Franklin
Colard Mansion
Aldus Manutius
Francysk Skaryna
Christoffel Plantijn
Johann Froben
Hieronymus Froben
Wright Brothers
Charlotte Guillard
This industry-related article is a stub. You can help Wikipedia by expanding it.
Categories: Industry stubs | Printers | Printing(and so on)

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Cosmetology

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The examples and perspective in this article deal primarily with the United States and do not represent a worldwide view of the subject. Please improve this article or discuss the issue on the talk page.
"Beauty School" redirects here. For the band, see Beauty School (band).

Cosmetology class in California, 1946
Cosmetology (from Greek ??????????, kosm?tikos, "skilled in adornment"[1]; and -?????, -logia) is the study and application of beauty treatment. Branches of specialty including hairstyling, skin care, cosmetics, manicures/pedicures, and electrology.
Contents
1 Types of cosmetology
1.1 Hair stylist
1.2 Shampoo technician
1.3 Manicurist
1.4 Esthetician
1.5 Beauty therapist
1.6 Nail technician
1.7 Electrologist
2 Becoming a cosmetologist
3 Income
4 Famous cosmetologists
5 Cosmetology schools
6 References
7 External links
//
Types of cosmetology
Hair stylist
A hair stylist specializes in the styling of hair, including cutting, chemical services (relaxers, perms, and color as well as restorative treatments)
Shampoo technician
A shampoo technician shampoos and conditions a client's hair in preparation for the hair stylist. A shampoo tech may assist with rinsing permanent waves, and shampooing color and chemical relaxers out of the hair after processing. Shampoo techs are normally only employed by corporate or concept salons and large-volume beauty salons that are operated simultaneously. In some states, a shampoo tech must have a cosmetology permit. This is usually a temporary position, held by a person who is newly licensed with little or no experience.
Manicurist
A manicure is a cosmetic treatment for the fingernails and/or hands. The word "manicure" derives from Latin: manus for hand, cura for "care". When performed on the feet, such a treatment is called a pedicure.
Many manicures start by soaking the hands or feet in a softening substance and the application of lotion. A common type of manicure involves shaping the nails and application of nail polish. A manicure may also include the application of artificial nail tips, acrylics or artificial nail gels. Some manicures can include the painting of pictures or designs on the nails or applying small decals or imitation jewels.
In many areas, manicurists are licensed and follow regulation. Since skin is manipulated and is sometimes trimmed, there is a certain risk of spreading infection when tools are used across many people and therefore sanitation is a serious issue.
Esthetician

Facials may include the use of a facial mask.
An esthetician specializes in the study of skin care, including facials, microdermabrasion, body wraps (relaxing treatments which involve hot linens, plastic sheets, and blankets), salt glows (an exfoliation treatment), waxing as a form of hair removal, cosmetic make-up services and other services with advanced training. Estheticians may work independently in a spa or salon or may assist a doctor in his or her practice. Working with a doctor an esthetician may perform more advanced services that require a doctor's supervision, such as deep chemical peels. In addition to performing beauty services, an esthetician must be skilled in recommending skin and body care products and retailing them to their clients. Many state board cosmetology schools do not offer training in retailing, but post graduate colleges will offer training in retailing skills.
An esthetician can be licensed solely for that skill. An esthetician is not necessarily licensed in cosmetology, but is typically well versed in knowledge of skin care.
Beauty therapist
Specializes in all treatments that include, hair removal, massage, body wraps, skin care, eye lash and brow tinting, make up along with machine treatments such as non surgical facelifts and faradic muscle tone. She / he may under go special training to provide specialist treatments such as laser hair removal and electrolysis.
Nail technician
A nail technician specializes in the art form and care of nails. This includes manicures, pedicures, acrylic nails, gel nails, nail wraps, fake nails, etc. They are also knowledgeable in nail irregularities and diseases, and may be able to identify such problems. They do not treat diseases, and would typically refer a client to a physician.
Electrologist
An electrologist offers services with the use of an electrolysis machine. As opposed to the hair removal via waxing offered by an esthetician, hair removal via electrolysis is permanent. It has recently been argued that barbers are also cosmetologists who extend the hair stylist speciality with services especially for men, such as shaving.
Becoming a cosmetologist

Electric face mask, circa 1939
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Sneakbox

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Sneakbox (1880)
A sneakbox is a small boat that can be sailed, rowed, poled or sculled. It is predominantly associated with the Barnegat Bay in New Jersey, just as the canoe-like Delaware Ducker is associated with the New Jersey marshes along the Delaware River near Philadelphia.
Railbird skiffs and garvey-like sneakboxes are other American hunting-boat types. Typically, they were all used for hunting waterfowl and marsh birds but also have been used by trappers.
Contents
1 The Original Sneakbox
2 Nathaniel Bishop: Canoeist and Cruiser
3 Cruising Sneakboxes
4 Working Sneakboxes
5 Racing Sneakboxes
6 F. Slade Dale
7 Bishop E-Books
8 Footnotes
9 External links
//
The Original Sneakbox
As with most American small craft, its origin is not well-documented. It is generally accepted that Captain Hazelton Seaman invented the first sneakbox about 1836, in West Creek, New Jersey.
It was usually built of white cedar which was once plentiful throughout the mid-Atlantic states.
It was conceived as a low-profile, lightweight, seaworthy hunting craft that one man could easily handle in any of the weather conditions likely to be encountered in the Jersey marshes.
The first printed description appeared in Forest and Stream on April 3, 1874 in a short letter from Robert B. White. White included a rough dimensional drawing that is recognizably a sneakbox.
The caption indicates:a an Apron 1 1 1 shows where it is nailed to deck
b b Cock-pit
c Trunk
d d d Stool [Decoy] Rack
e e Rowlocks
The thing with the U-shaped cutout represents the folding wooden oarlock used.
Nathaniel Bishop: Canoeist and Cruiser
It was the 1879 book Four Months in a Sneak Box by Nathaniel H. Bishop that put this small boat on the map. Bishop went down the Ohio and Mississippi Rivers and eastward along the Gulf Coast into Florida in Centennial Republic, his sneakbox. It was something of a stunt in commemoration of the nation's 100th anniversary.
Nevertheless Four Months is one of the first small-boat camp-cruising narratives published in America, where the author was not an explorer or adventurer, but simply a sportsman or boating enthusiast.
An e-book is here: Four Months in a Sneak-Box: A boat voyage of 2600 miles down the Ohio and Mississippi Rivers, and along the Gulf of Mexico.
Bishop was born in Medford, Mass. He had an adventurous streak, and at 17 worked his way south from Massachusetts on a sailing ship, then hiked across South America. This is the subject of his first book (1869) The Pampas and Andes: A Thousand Miles' Walk Across South America.
By 1872 he was a canoe enthusiast along the lines of British canoeist John "Rob Roy" MacGregor. Bishop was for many years the Secretary of the ACA, or American Canoe Association. He was one of the association's founders.
He ordered the 18-foot canoe Mayeta, built by J. S. Lamson, Bordentown, N.J, and started on a two-man voyage from Quebec. The voyage was abandoned because the canoe was too heavy, and Bishop apparently didn't like company.
He obtained Maria Theresa, a 58-pound paper canoe built by Elisha Waters, Troy, N.Y., and started again. Bishop rigged his canoe with rowlocks; he did not use a double paddle, and he did not sail Maria Theresa much on his Florida cruise 1874-5, published as Voyage of the Paper Canoe in 1878.
After these three books, Bishop seems to have stopped writing except for correspondence concerning the ACA; but no one yet has attempted to create a bibliography of Bishop's later contributions to boating and sporting magazines.
For a short biography of Nathaniel H. Bishop (1837-1902), see Brief Bishop Bio by Eric Eldred.
Cruising Sneakboxes
After Bishop rowed (he hardly used his sail) down the Ohio and Mississippi Rivers in 1876, the boating press took notice and people began to develop sailing sneakboxes as an alternative for solo cruising to the sailing canoe.
See this link for Early Drawings.
Bishop's own words from Four Months about early sneakboxes are worth quoting:
This remarkable little boat has a history which does not reach very far back into the present century. With the assistance of Mr. William Errickson of Barnegat, and Dr. William P. Haywood of West Creek, Ocean County, New Jersey, I have been able to rescue from oblivion and bring to the light of day a correct history of the Barnegat sneak-box.Captain Hazelton Seaman, of West Creek village, New Jersey, a boat-builder and an expert shooter of wild-fowl, about the year 1836, conceived the idea of constructing for his own use a low-decked boat, or gunning-punt, in which, when its deck was covered with sedge, he could secrete himself from the wild-fowl while gunning in Barnegat and Little Egg Harbor bays.It was important that the boat should be...(and so on)

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Resistance wire

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Resistance wire is electrical wire used for its resistance. It is routinely used at high temperatures, so normally also has high melting point. Resistance wire is usually used for high-power resistors and heating elements, which produce heat used in electric heaters, electric ovens and toasters, and many other appliances.
Types
Nichrome, a non-magnetic alloy of nickel and chromium, is commonly used to make resistance wire because it has a high resistivity and resistance to oxidation at high temperatures. When used as a heating element, resistance wire is usually wound into coils.
Constantan is used where resistance is required to not change with temperature. Constantan is readily solderable, though soldered joints have limited temperature range.
Many elements and alloys have been used as resistance wire for special purposes. Copper is also included for comparison.Material Resistance
(ohm-cmil/ft) (ohm-cm)
Aluminum 15.94 2.650 e-6
Brass 42.1 7.0 e-6
Carbon (amorphous) 3.8-4.1 e-6
Constantan 272.97 45.38 e-6
Copper 10.09 1.678 e-6
Iron 57.81 9.61 e-6
Manganin 290 48.21 e-6
Molybdenum 32.12 5.34 e-6
Nichrome 675 112.2 e-6
Nichrome V 650 108.1 e-6
Nickel 41.69 6.93 e-6
Platinum 63.16 10.5 e-6
Stainless steel (304) 541 90 e-6
Steel (0.5% Carbon) 100 16.62 e-6
Tungsten 31.76 5.28 e-6
Zinc 35.49 5.90 e-6
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